Archive for the ‘Tutorials’ Category

March’s Free Embroidery Pattern! The folk art design: Heart in Hand

Thursday, March 7th, 2013

 

   March’s free embroidery pattern is an old symbol that I am very fond of.  It’s called Heart in Hand.  You’ve probably seen it before.  Lot’s of folk-art crafters use this symbol.   It’s been used to identifly the Odd Fellows organization.  It can be seen in cemeteries on headstones of past Odd Fellow members often with the addition of a three link chain underneath it.

 

 The Shakers used it to symbolize  charity given with an open heart.  I have also seen it used in old handmade valentines. 

 As always, click on the pattern above for a larger view and to print out.

 

You won’t believe it! A NEW free embroidery pattern!

Friday, February 15th, 2013

You know, you guys have put up with a lot from me over the years.  First, there was Oil-Painting Andrea, then Craft-Girl Andrea, Stupid-Story Andrea and now Children’s-Book-Illustrator Andrea.  What can I say?  I wear many hats and some of my hats are wee pointy things with glitter on them, but I digress.  I vaguely remember promising to give you, my loyal minions, a new free pattern every month (what was I thinking?) and that seems to have disappeared into the Bermuda Triangle of my life.

But guess what!  A free pattern has snuck in! Right under my nose too (it’s probably because of me having a cold).   And it’s topical!  That’s right, it is!  It’s an Easter Bunny.  Can’t you just image him hippity hopping into your house on Easter night and depositing his eggs?  Oh the joy.

So go ahead and have your way with him.  Make me proud!

You can click on the pattern above for a large view.

Nothing should hold you back. Drawing with flaws.

Monday, January 28th, 2013

 

 

Many future artist/illustrators hold themselves back by feeling that there is some great deficit in their skills. If you have ever said, “I can never be an artist because I can’t even draw a straight line”,  please get someone to kick your butt for me. Who cares about straight lines?  I sure don’t!  You can’t draw perspective? So what! Wacky perspective is fun! The most important thing is to relax and be your old weird drawing self.

Here are some of my “weaknesses”.

First, I can’t draw a whole scene. I have to put it together in pieces.

Second, I can’t draw figures facing to the right. They always have to face to the left. No problem. I just scan it into Illustrator and make a mirror image. I can actually think of a dozen ways to correct this problem without using the computer.

Third, my perspective is pretty weak.  So, I just get it close enough, and people think it’s charming.

So there, no more excuses.  Just draw.

And, by the way, the illustration above was made using pieces of the sketch below.  This is my extra special art secret, so don’t tell anybody.

New Postcard

Monday, January 14th, 2013

 Well, it’s time for a new postcard. 

I had an idea that I wanted to go with, which is  of a cat-loving little girl with an annoyed cat.   I wanted the girl to be totally ecstatic. I wanted the cat to look like that if given the chance he would murder the little girl, and for fun, everyone else in the world.

 Now, there is nothing wrong with this sample postcard above but it wasn’t extreme enough.  My drawing style is very controlled in this image. (Oh, and thanks Charles for letting me know that whatnot is one word.)

So, I tried to relax.  I still knew I wanted the girl in particular to be much muchier, and chubby.  As I drew I started to see a character developing that enjoyed.  

In the final image I opened her mouth to add to her ecstasy in having a kitty.  Instead of inking in the drawing I scanned in the pencil sketch.  I tried to not clean it up too much.   I think it works.

I would like to thank my sister and my daughter, former love-that-cat-to-death children, for their inspiration.  Not to fear though, my adult sister and daughter are now loved by cats far and wide.

Let’s play a game.

Wednesday, December 5th, 2012

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

How to draw characters.

Monday, November 19th, 2012

Let’s begin by getting your mind and psyche in the right space.

If you use my tutorial I want you to:

  1. Sketch a little bit everyday, for at least a month.
  2. Allow the sketches to be crappy.  In fact, I give you permission to make crappy drawings.  How’s that!
  3. If you are sensitive about your work then don’t allow anyone to see your practice sketches.
  4. Repetition is more important than perfection with my tutorials.
  5. Use bold long pencil strokes and give yourself permission to lose control.
  6. When you let yourself lose control you are actually pushing your boundaries.  You are learning new things.

 

 

 

Here it is super quick:

  1. You know those generic cartoon expression images  in “How to Draw Cartoons” books?  Copy them over and over until you’ve got them memorized.  Be able to draw them without looking at your samples. ( You can find a bunch of sites on-line that have these cartoon expressions.)
  2. Now collect images by your favorite artist and copy them over and over.  And, while you’re copying ask yourself questions like:  What makes this character  so cute?     How does this artist handle eyes or hair or the body?     How does this artist show emotions with his/her character’s face and body language?  Study the art!

      3.   Draw your favorite artist’s characters over and over until you can draw them by memory.

       4.   Now play! Sketch and sketch.  Make cute images, silly images, and sad images over and over. Don’t second guess yourself.  Allow yourself to make horrible drawings.  Use idea’s you’ve seen in other peoples work.  Or maybe start with another artist’s character and change it.  Morph it into your own charater. Got a stupid idea?  Draw it.  Wind up drawing something you like?  Save it but keep drawing, and drawing, and….

If you do these exercises you will learn a lot about the vocabulary of character design and at the same time teach yourself what you want to see in your own characters.          

 

Here are some of the people I have learned from:

Hyperbole and a Half – (This site proves that you don’t need to be the most realistic artist to be awesome)    http://hyperboleandahalf.blogspot.com/

Patrick McDonnellhttp://muttscomics.com/default.aspx

Bill Watterson – (He doesn’t seem to have an official site)   http://www.gocomics.com/calvinandhobbes/

Peter Reynoldshttp://www.peterhreynolds.com/dot/

Looney Toon Cartoons.  You can find many of them on YouTube.

Here are some of my favorites:

What’s Opera, Doc? – (Sample ) http://youtu.be/KTYQmHr9Myg

Witch Hazel – (Sample)  http://youtu.be/gYtgsLnEl38     (Sample)  http://youtu.be/Wej1LoOzaLY

Drip Along Daffy – (Whole Cartoon) http://youtu.be/FhS-n9qpWRI

The Unfinished Tiger. How to loosen up your drawing style.

Monday, November 12th, 2012

A lot of artists/illustrators wish that their style was looser and more fluid. They want their characters to be expressive. I might be able to help or at least let you know what I do to add life to my art subjects.

Draw from memory. I know that sounds scary but it works.

Let’s take the tiger I am currently working on. I’m still not satisfied with him but he’s getting closer to having the right feel. I first started by studying photos of tigers. I do some basic sketches so that I understand what a real tiger looks like. Second, I study how other artists have handled their ideas of what a tiger is. Have they drawn their tiger with a big forehead or little?  Small eyes or large? etc… When I think I understand which characteristics I might like to have in my tiger then I start drawing without using any reference except what I have collected in my brain.

The drawings I do are fast, but clear. I only work on one pose at first. I don’t worry about different angles or poses, because I am just getting to know who my character is. So I draw and draw and draw, the same pose over and over making minor changes. Because I am drawing the character over and over my pencil lines become more relaxed. My pencil knows where to go.

So far I am not satisfied with my tiger. Sometimes it only takes a couple pages to get what I want, but ones like this tiger I ‘ve done at least 20 pages of sketches. Often I get tired and can’t “see” the character in my head anymore so I take a break. I will also review what I have already created and it’s not uncommon for me to spot things that I like in early sketches. I will try to incorporate anything that I liked into my next sketches.

Once I have gotten the character just the way I what it I will continue to draw he/she several times to memorize every detail. By this time my lines just flow with confidence! It’s time to start drawing the character in various angles and positions. But by now I really have the character’s image deep in my mind and it’s easier for me to feel that they are real.

Does this work for “realistic” work?  I think so.  Instead of relying on tracing paper to copy and redraw a image, try just drawing it over and over.  Make changes as you go until you get what you want. Because you’re getting to know your illustration so well your sketches will show increasing confidence.  Increased confidence will create fluid lines.  Fluid lines give life to a character or scene.

One last tip.  Spend some time drawing from memory with NO model at all.  Draw a person, a room, a toy,  etc…  It doesn’t have to be perfect, just keep drawing it over and over making corrections.  Keep trying to draw from your memory and see how much you can remember.  Two things will happen, first you’ll be surprise at what you can tease out of your brain. Second, your work will take on a look that is true to your personality.  Pretty awesome!

 

Tutorial, The Valentine Quilt Top, Part One

Friday, February 4th, 2011

Valentine Quilt Top

   Recently I was asked to do a tutorial.  I had never created a full tutorial on my quilting techique.  Let me tell you I thought my brain was going to explode!  There are so many details!  So, instead of giving up on tutorials I decided to practice creating them. 

The first thing I did was change how I attached my applique shapes to my quilt top.  I found a tutorial on Youtube (I can’t find the tutorial anymore on Youtube, sorry!) that was a break through for me.  Everyone that reads my blog knows that I like to hand sew.  I rejected the use of fusible webbing on quilts because it left a hard stiff feeling to the fabric.  The new method (at least for me)  that I discovered is using the fusible webbing  just along the edges of the applique shape.   Here is the basic idea of the techique:  instead of making the entire applique shape covered with webbing glue, you apply the webbing glue just around the edges. 

So here is my tutorial.  Please feel free to critique and edit. 

The fabric I chose for this quilt top is quilters cotton from my stash.  I thought the fabric prints I choose looked good for valentines day.  The fabric  kind of fit together but they also fight a bit too.   The design is based on folk art.  I like art that is a bit primitive.

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SUPPLIES

Fabric for the applique –   The size should be at least a bit bigger than 8.5″x11″

Fabric for the quilt top -  Must be at least a bit bigger than your applique.  I used  a piece that was quite a bit larger that the applique because I wasn’t sure what I would like for a finished size.

Fusable Webbing  ( NOTE:  I just tried Steam-A-Seam 2 Double Stick fusible Web and I worked better for the the Steam-A-Seam Lite)

Scissors

Sewing Needles

Pins

Embroidery Needles

Embroidery Hoop

Embroidery Floss

Valentine Quilt Top Pattern

 Click on pattern to get the full size image and to print out.

 The Applique Pattern:   I designed the applique pattern to print out easily on a 8.5″ x 11″ piece of paper.

print out and webbing

 Fusible Webbing:  (The truth is I don’t know a lot about webbing.  I’ll tell you what I used but you may want to experiment on your own.)  The fusible webbing I used is Lite Steam-A-Seam 2 by The Warm Company.  I used it for the following reasons,

 1)  It comes in packages of 5 –  9″ x12″ sheets.  I didn’t want to buy a whole roll if I didn’t like the results     

  2) It said right on the package that it is used for applique   

 3) Also on the package it says that it is permanent   

  4) Lastly, the webbing I chose had a slightly tacky back so once you get it into place on your fabric you don’t have to pin it down before ironing.  It did create a small problem of being hard to place because of the sticky back sticking to it’s self and such.

Transferring the design onto the fusible webbing:  The Webbing I used was transparent.

1) I laid the webbing on top of the print out/ drawing and traced, with pencil, the design onto the webbing.

2) Now you are going to draw one more line.  This line will be following the design on the inside.  I drew this line about 1/4 inch from the design lines.

Drawing the line inside of the design.

 Cutting the Webbing:

1) Cut only the inside line of the webbing.

Cutting at the inside line of webbing.

 2)  Your webbing should look like this :

Webbing with the design cut out.

 NOTE:  Notice the flower at the bottom of the design.  Since the center of the flower wasn’t attached to the rest of the design I had to cut it out separately.

 Applying the Webbing to your applique fabric:

1)  Make sure that your fabric is ironed.

2)  The webbing I  used had a lite tackiness to it that when press onto the fabric by hand it stayed in place.  But, with a simple design you shouldn’t need anything to hold your webbing in place.  If you need to pin the webbing down, place just enough pins hold it in place.  Don’t iron on top your pins.  Remove the pins at the point right before you iron a specific area.  Leave whatever pins you need to hold the rest of the webbing down. 

Iron the webbing onto your fabric as per the manufacturers instructions.

Masking sitting on the Fabric

 Finish cutting the applique piece:

1) Cut to the outside edge of the appliqued shape.

Cut to the edge of the applique shape.

Fabric cut using the drawing on the webbing for a guide.

 Peeling the webbing backing paper off:

1) Peel the webbing backing paper off.  You should be able to see the ring of webbing adhesive) right along the edge of the applique.

Peeling the webbing off of the fabric reveals the webbing adhesive.

 Iron on the applique:

 1) Lay applique shape onto quilt top. 

2) Pin your applique shape to the quilt top.  Don’t put your pins where there is adhesive. 

3) Using the webbing manufacturers instructions iron your applique shape onto the quilt top.

4) Your applique and quilt top should be one*.

*My iron is really old and doesn’t get very hot.  Some of the applique corners came up at the tips.  Just a little though.  Let me know if you corners stayed adhered to your quilt top.

To be Continued in Part Two.