Archive for the ‘Quilting’ Category

Now, open your Quilting Arts Magazine to page 32.

Friday, June 4th, 2010

Work Quilt #2 by Victoria Gertenbach, aka Silly Boodilly

     I was innocently thumbing through my current Quilting Arts Magazine, June/July 2010, issue 45,  when I came across a article written by a person named Victoria Gertenbach.  This Victoria was clearly trying to pass herself off as my web friend Silly Boodilly.  After a moment of confusion and deep thought it dawned on me that Victoria and Silly where the same people.  I never remember a persons real name.  I mean, who’s Mama would name their kid Silly Boodilly?  Not a very good Mama, that’s who.  Web names and the names of people’s pets is what I remember.  Real names never.

  So please, if you haven’t already, go get the newest Quilting Arts Magazine and check out VICTORIA’S article, Stitching from the Soul / Laying the past & present.  She tells of her inspirations and goes into detail regarding her quilting technique.

Oh, I almost forgot, I was looking through the contributors of Quilting Arts Magazine and I found the name of another friend of mine, Jane LaFazio.  She is a San Diego based quilt artist, and teacher.  She also beat me at getting into the Quilt Visions show.   I might forgive her for this since she is the one that got me started in teaching quilting and embroidery.

I love name dropping.

The Tiger Quilt

Thursday, March 18th, 2010

   The Tiger quilt is a small quilt.  It’s only 18″x18″.

  You might recognise the tiger from The Doom Girl print I designed.

  The quilt is unusual for a few reasons.  First, I didn’t have any design planned for this quilt. I just figured it out as a went.  Second, even though I knew what the tiger should look like, I just randomly cut out shapes to create the tiger.  Look closely at the Tiger.  He is in sections.  The sections are oddly shaped.  Third,  the fabric that the tiger is appliqued onto has a crooked grain.  This was okay for a little area around the tiger, but I didn’t want it for the whole background.  So I cut out the tiger with a wide border, then appliqued the whole thing to another piece background fabric.  Fourth,  The line created by the tiger panel being applique onto the new background fabric gave me the idea to put a little pennant banner surrounding the whole tiger.

  Here is the whole quilt.  I like the loose design, the funky tiger, the texture of the border area and that it is small and was easy to work on.

Lines that divide. Sometimes.

Thursday, March 11th, 2010

  In general, people that craft are one of the most accepting and giving of all the creative communities.  But, with quilters there can be divisions.  Some Art Quilters don’t understand the precise corner matching of the Tradition or Kit Quilters.  Some Machine Quilters don’t understand why Hand Quilters would want to spend hours and hours, months and months creating a quilt.

Quilters of a different style from you often will ask why you quilt the way you do. Your answer tends to cause their heads to tilt like a confused dog. I have found that if you give your quilting technique an official title people back off, because it’s official for gosh sakes!

Here is my list of quilting types and their official titles:

1. Traditional Quilt Crafts Person – TQC Person carries the heavy load of keeping the historic form of quilting alive.  They save traditional quilting from dying out.  It’s a burden they must bare for the sake of everyone.

2. Kit Quilters – Kit quilters not only use kits but love magazines that have quilt tutorials.  Their job is to honor quilt designers by creating their quilts using precision and superb color matching. 

3. Machine Quilter – The quilting culture is a living culture.  Machine Quilters are wise to the fact that their ancestors jumped at the chance to use sewing machines to piece their quilts.  They nod to the past with their precise corner matching and the fact that they can finish a king size quilt in a month without the need of a quilting bee.  Their ancestors would be proud.

4. Hand Quilters – Modern hand quilters practice the semi religious form of self flagellation by stitching everything with needle and thread. To appease the ancient gods of craftiness the hand quilter keeps sewing even when faced with a mean case of carpel tunnel, a bible bump and the beginning symptoms of arthritis. 

5.  Art Quilter – Art quilters use the craft of quilting as a form of self expression.  Weird themes, imagery, colors and materials form the bases for the art quilters artistic voice.  The art quilter is more interested in self expression than perfect stitches.  Art quilters tend to not be able to match corners if their life depended on it. 

6.  Folk Art Quilter- Folk Art Quilters are very close to Art Quilters.  What makes a Folk Art Quilter is simplistic expressive designs and the inability to make even stitches.  Flaws are acceptable, they’re Folk Artists for goodness sakes. 

7.  Outsider Quilter - Have you have ever felt the urge to create a quilt out of tires and bubble gum? Then you know where Outsider Quilters are coming from.  An Outsider Quilter often thinks like this, “Lets see, I don’t have any fabric, needles or thread to create a quilt with, but I wouldn’t want to use those materials anyways because I have a perfectly good jar of peanut butter and a whole bale of barbwire to work with.”  Outsider Quilters are often unaware that other quilters don’t think of kitty litter as being a good batting.

8.  Contemporary Avant Garde Quilter – Same as Outsider Quilter but with an education.

9. Visionary Quilter – Have you ever been quilting with a mouth full of M&M’s and sneezed, only to have the spray from your sneeze create a image on your quilt that looks like Jesus?  If you have then you are a Visionary Quilt artist.  You are also always under the distinct feeling that it’s not you that is guiding your quilting, but God.

Let’s face it, the lines of quilting types are often blurred.  There are Hand Quilters that can match corners and might add a bit a tree bark to their quilts.  There are Traditional Quilters that that will periodically use a machine to quilt their quilts.  What’s great about quilting is the many techniques to explore, the appreciation of  textiles (whether it’s fabric, wood, steel or otherwise), the concept of quilting, the room for play, experimenting and the fulfillment of the need to create. 

I guess what I am trying to say is that all creation is great and if it makes you happy that’s all that counts.

Falling Star Quilt.

Tuesday, February 23rd, 2010

  After getting back from my Texas trip , I was in the mood to quilt.  I decided to create a small quilt.

  This quilt is 15″x19″.  I’m not sure I like this size for my quilting.  It just doesn’t seem graphic enough.  The embroidery seemed too small yet when I made a sample using my typical 6 strands of embroidery floss the stitches where overwelming.

  This is the entire quilt.  I added a bar of printed fabric to the left side, because I needed color. 

A BE MINE… painting and some answers.

Thursday, February 4th, 2010

  Valentine Girl, another painting for my BE Mine… show at Galleri Urbane in Marfa, TX

Now, questions that need to be answered:

1. Referring to my Transfer Eze post:   Wow! I’ve been looking for something like this. My biggest challenge is finding ways to transfer embroidery designs. Can you recommend any other products or techniques? Thanks for sharing such valuable information!

Here are the most common ways to transfer embroidery designs onto fabric

Transfer Paper – You can get this item at any fabric store and Sublime Stitching.

Iron on Transfer Pencil  -these can be found at most fabric stores, like Joanns

Light Table  -  Well, actually, using a window as your light table.  If you are using the window method, you will find that taping the design to the back of the fabric or to the window helpful as the design will not slip easily while you trace it onto the fabric. To trace, use a light pencil, chalk, air or water-soluble pen, or even a fine tip permanent marker in the shade of thread you will be using. (This info is from Victorian Embroidery and Craft)

2. Just curious. When you are buying fabric, for not a particular project, how much do you buy? A yard? Fat quarter? 2 yards?

Since my quilts are smallish I tend to buy fabric half yards.  But, if I am head over heals in love with a fabric I will buy 1 to 2 yards.  Other reasons to buy more than half a yard of fabric is hard to find colors, hard to find patterns and great fabric to back a quilt with. 

I have trouble finding a good orange fabric, so if I find one I like I’ll buy a yard or two.  Same with brown.  I am always looking for a good chocolate brown.  The color is not the only thing that is important.  I am very picky about the type of pattern on the fabric .  Everyone has their own needs when it comes to size, design and rhythm of pattern on their fabrics.

When I find a nice feeling cotton fabric that would make a great backing for my quilts, and it’s cheap,  I’ll buy several yards. 

Chasing Rabbits.

Tuesday, February 2nd, 2010

  Do you ever get a flash of an idea when you least expect it?  I do. It always happens to me while I’m in the bathtub. 

  While bathing a couple weeks ago the image of a appliqued rabbit popped into my head.  I suppose the idea came from all the vintage appliqued quilts I ‘ve been studying.  I love the old quilts with awkward appliqued animals.

  The idea of one rabbit became five.

  Why are they running?  Because they are being chased by a little girl.  I remember when my Daughter was just a tiny little thing and she liked to cuddle animals like a crocodile just wants to “taste” a baby zebra.  One of my friend’s more no nonsense cats took care of my daughters aggressive petting.    

Just so you know, my daughter is excellent with animals now.  It’s been years since I have seen a fist full of fur.

Hart’s Fabric, best fabric store ever!

Monday, February 1st, 2010

   I love Santa Cruz, CA.  There is so much about that town that I  like.  I love Logo’s used book store.  I love Harbor Cafe.  I love all the old houses and the extra funky people.  But, what I love most, and what I save up most of my craft money for, is Hart’s Fabrics.

 The first time I went to Hart’s, I told my husband, “Look, this is going to get ugly.  Money, and I mean lots of it, is going to be spent today.  I just wanted to prepare you.” Being that my Husband is very understanding, and he has his own issues with buying computer books, he said he’d just sit in the car, read a computer book and let me have at it. 

  I get totally overwhelmed by  Hart’s  huge selection.  Here are a couple tricks I use to decide which fabric to purchase for my stash.  I visually pass over all of the fabric about 3 times.  I try not to think too hard.  I just let it soak in.  By the 3 pass certain fabrics start calling to me.  That’s when I start pulling the fabic bolts and setting them aside.  

Another trick I do to supply my stash is to pick out a rainbow’s worth of fabric. By this I mean I make sure to pick out fabric in red, orange, yellow, green, blue, etc…  And, don’t forget black, grey, white, salmon, purple,,,,,  You get the idea.  If I didn’t aim for a rainbows worth I’d come home with nothing but pink fabric.

  These two fine ladies helped me out.  I had a big mound of fabric which took them quite a while to get through. They where very cheerful at their task.  And before long I was out the door with my huge bag, wondering if maybe I should have gotten more teal fabric.

Here is Hart’s info:

Hart’s Fabric, 1620 Seabright Ave., Santa Cruz, CA,

831-423-5434

Website: http://www.hartsfabric.com/index.html

Blog: http://blogs.hartsfabric.com/

Woodpecker Quilt: Just starting.

Wednesday, December 30th, 2009

  These are not very good photographs.  It’s a bit gloomy out today and I try to photograph my quilts using natural light.  I hate using my flash when photographing, it flattens things out. 

  I love woodpeckers and I love the black and white fabric that I used to make the branches out of.  I want more color in this quilt so I will probably add some colored circle elements and maybe even some leafs. 

This is how I came up with the design for my woodpecker. 

  I knew that I didn’t want a literal image of a woodpecker.   I Googled Woodpecker Art to see how other artist had portaited this bird. 

  This is a detail of a James Audubon print of Pileated Woodpeckers.  It’s beautiful but to realistic for my needs.  One thing this print does show is Woodpeckers in a pose where they are not stuck to a side of a tree.  I wanted my Woodpecker to be like that.

I  Here is my Woodpecker print.  And, oh yes, he is stuck to the side of a tree.

I wanted my woodpecker to be a bit cuter.  I remembered a site called Birdorable.  All their birds are extra cute.  They have a woodpecker or two which helped me decide how I wanted to increase my woodpeckers cuteness.

http://www.birdorable.com/

You will notice that my woodpecker looks nothing my Birdorable’s or Audubon, but each image gave me enough info to create my own woodpecker image.

PS – YOu should really check out Birdorables site.  I think I might have to buy one of their t-shirts!

Valentine Quilt, Finished!

Monday, December 28th, 2009

  I hope you’re not tired of seeing this quilt.

  It’s finished!  Like always, it’s all hand sewn, appliqued and embroidered.  The final size is aprox. 30″ x 30″.  The fabric is all cotton.

  Please click on each image to see the details.

Valentine Quilt, creating the sandwich.

Saturday, December 26th, 2009

  

Here is how I prepare a small quilt for quilting.  

  I tape the background fabric, right side down, on a flat work space.  Tape the four corners first, then the edges.

  Make sure the background fabric is flat and wrinkle free.  When taping make sure that background fabric is somewhat tight.  Next, lay down your batting, making sure it is smooth.  Lastly, lay down quilt top, right side up.

  Now you have a sandwich of your three quilt layers.  The next step is to safety pin all three layers together.  I create a  grid with each safety pin being about 3 inches from the other  pins.  Once the safely pins are in place you can remove the tape from the edges.  Your quilt is now free to move around without fear of you fabric moving out of place.  

The safety pins secure all 3 layers temporarily so you can baste your layers together.  You baste stitch your quilt in a grid in between the safety pins.  Once this is done you can remove the pins.

  Some might think, “When all 3 layers are laying flat, why not just baste the layers together without using the safety pins?”.  Well, it’s very hard to keep all the layers nice and smooth and fabric seems to like to move around. 

     Putting together a small quilt in this method allows me to quilt without the need for hoops or stretcher bars.  This also means I can take this quilt on trips.  I just roll it up and unroll it when I am at my location.  All I need is my quilt, scissors, thimble, needles and quilting thread.